Lennie Tristano by Lennie Tristano

Lennie Tristano, also known as Tristano, is a 1956 album by jazz pianist Lennie Tristano. At its release, the album was controversial for its innovative use of technology, with Tristano overdubbing piano and manipulating tape speed for effect on the first four tracks. The final five songs are concert recordings. Originally released as Tristano's Atlantic Records debut, the album was released on CD in 1994 by Rhino Records in combined form with Tristano's 1960 follow-up, The New Tristano, and as part of a collection, The Complete Atlantic Recordings of Lennie Tristano, Lee Konitz & Warne Marsh, in 1997. It was subsequently re-issued in original form and track-list order by Warner Jazz (2002), Rhino (2003) and Collectables (2004). In 1997, The New York Times dubbed the album a masterpiece. AMG describes the album as "gorgeous... with a beautiful juxtaposition between the first half and the second half between the rhythmic and intervallic genius of Tristano as an improviser and as a supreme lyrical and swinging harmonist on the back half".