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Charade by Alice

Album tracks

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About Charade

Charade is the thirteenth studio album by Italian singer-songwriter Alice, released in late 1995 on WEA/Warner Music. After a three-year-long artistic and legal dispute with her label EMI Music Alice signed with WEA in 1995 and then released her first studio album since 1992's Mezzogiorno sulle Alpi, the both musically and lyrically introspective and contemplative Charade featuring contributions from musicians such as King Crimson's Trey Gunn, several tracks with British improvisational solo violinist Stuart Gordon and acoustic tracks with the American/Belgian/Japanese California Guitar Trio. Charade further developed the use of minimalist ambient/avant-garde backgrounds, fractured guitars and woodwind, muted trumpets and accordion set against programmed TR-808 rhythms, influenced by dance music genres like electronica and contemporary R&B, fused with world music samples and looped vocals. Lead single "Dammi la mano amore" was also included as an ambient dub mix on the album, entitled Devogue version, and the second edition of Charade added an R&B influenced remix as a bonus track. "In piedi su uno specchio" was later to reappear as part of a collaborative crossover/ambient/fusion project called Devogue, a forty-five-minute sound collage which featured Alice, producer Francesco Messina, Porcupine Tree's Gavin Harrison and composer and singer Juri Camisasca among others, released on the independent label CNI in 1997. Alice sings lead vocals on five of the album's thirteen titles; "Midnight Bells", "In piedi su uno specchio", "Le condizioni del tempo (a.m.)", "Palmenhaus" and "Il cielo sopra il cielo", the latter which would appear on the album Exit the following year. Both "Dammi la mano amore" and the second single "Non ero mai sola" were later to be included in the 2000 career retrospective Personal Jukebox.


This article uses material from the Wikipedia article Charade (Alice album) , which is released under the Creative Commons Attribution-Share-Alike License 3.0.

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