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Second Site: 27° 37' 35" N 77° 13' 05" E di Paul Schütze

Paul Schütze

Rilasciato il 5 - 9 - 1997

Numero di canzoni 102

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Canzoni

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Canzoni dell'album

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First Prologue.

Paul Schütze

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The dial is only visible by starlight.

Paul Schütze

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Every day at noon the sun shines through these apertures for the space of about a minute.

Paul Schütze

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The image of the sun indicates the sun's position as it passes through a hole in the concurve surface.

Paul Schütze

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There is a brass pointer fitted with sights and pivoted to the centre of the circle by which altitude observations are made.

Paul Schütze

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The chamber is no longer accessible to visitors.

Paul Schütze

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Access to any part of the engine is by steps which offer vantage points for various readings.

Paul Schütze

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Suspended in the hum of history.

Paul Schütze

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Originally cross wires stretched across each hemisphere, East to West and North to South.

Paul Schütze

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The ramped stair to the North of the two drums vanishes at thirty-two feet.

Paul Schütze

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These steps enable the observer to see all aspects of the brass calibration below.

Paul Schütze

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There is a huge calibrated sundial on each of its sides.

Paul Schütze

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This chamber is filled with garden tools and broken furniture.

Paul Schütze

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The mosaic of starlight slips back like the lid of an opening eye.

Paul Schütze

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This engine is primarily a calculator, though altitudes may be observed using the sighting bar fitted to the back.

Paul Schütze

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It is inscribed with concentric circles, at the centre of which lies a pointer.

Paul Schütze

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The calibrated parts are raised on three-foot pillars.

Paul Schütze

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The pink masonry charges the twilight with a faint sound.

Paul Schütze

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Another slope with stars for the reading of figures.

Paul Schütze

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This engine is now only visible in twilight.

Paul Schütze

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Here is an immense brass circle suspended vertically from stone supports.

Paul Schütze

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Two hemispheres representing the sphere of heaven comprise the two halves of this engine.

Paul Schütze

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This wall describes accurately the North/South meridian.

Paul Schütze

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There are pillars at the centre of each circular wall each open to the sky.

Paul Schütze

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First Memory.

Paul Schütze

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The sky has shaped this place.

Paul Schütze

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Here I find a central iron pole with hooks facing to the North, South, East and West.

Paul Schütze

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A shadow is cast to the West before noon.

Paul Schütze

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The shadow can fall in the vacant sector of a drum.

Paul Schütze

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Days and nights are measured here, and in the measuring seem longer, suspended somehow.

Paul Schütze

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The whole brass circle can be revolved around its vertical diameter so that altitude observations can be taken of any object at any time.

Paul Schütze

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A lofty but narrow chamber is contrived in the thickness of the walls and access is gained from a door opening from the masonry platform on which the engine stands.

Paul Schütze

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A further series of steps is only visible during the vernal equinox.

Paul Schütze

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Hold the machine in the vertical plane.

Paul Schütze

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Visible portions of the celestial sphere are represented by this map which has a movable elliptic which pivots at the point representing the pole.

Paul Schütze

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To move through these structures is to set them in motion.

Paul Schütze

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The altitude of the body observed is given while observing the vertically hanging bar through the two brass rings.

Paul Schütze

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A shadow is cast to the East after noon.

Paul Schütze

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These calibrations are no longer clearly visible.

Paul Schütze

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Another flight of observation steps and the sense of quiet rotation as I ascend.

Paul Schütze

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I study the vaults of a shell in which we float.

Paul Schütze

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Twenty-seven degrees, thirty-seven seconds.

Paul Schütze

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The roofs of the enclosed drums are implied by shadows.

Paul Schütze

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The floor and walls are calibrated to read altitude and azimuth.

Paul Schütze

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These are the cool engines of celestial map-making.

Paul Schütze

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Here is the Supreme Engine.

Paul Schütze

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The sun seen through the pair of brass rings is used by the bar to indicate the time from sunrise until sunrise.

Paul Schütze

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A pointer indicates on three arms: West, North and East.

Paul Schütze

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Here was the Supreme Engine.

Paul Schütze

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The engine of amplitude has a function which is no longer known.

Paul Schütze

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This engine is a rectangular brass plate.

Paul Schütze

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Second Prologue.

Paul Schütze

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Once complete engine is formed by two differently incomplete parts which combined provide total reference.

Paul Schütze

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At one moment in the year the sun shines through a hole in the wall on to a calibrated arc.

Paul Schütze

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The stone dish is slotted with figures and shadow.

Paul Schütze

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The positions and altitudes of heavenly bodies maybe gauged with this engine.

Paul Schütze

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Some steps ascend past markings to a platform.

Paul Schütze

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The central pillars are five feet three inches in diameter.

Paul Schütze

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On the East face are inscribed two quadrants of twenty-feet radius.

Paul Schütze

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The plants will steal this engine when we have gone.

Paul Schütze

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The shadow is cast North/South at noon by an iron pin.

Paul Schütze

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A shadow is cast to the East after noon.

Paul Schütze

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These steps are worn to a ramp and lead nowhere.

Paul Schütze

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All the lead calibrations are warm to the touch.

Paul Schütze

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It is only necessary to engrave a scale of the tangents along the rim to obtain a direct reading of the declination.

Paul Schütze

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Second Memory.

Paul Schütze

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The lead calibrations are poisonous to the touch.

Paul Schütze

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This is the North pointer engine.

Paul Schütze

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The rim of each hemisphere is a horizon divided into degrees and minutes.

Paul Schütze

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Here is a room to divide the sun like an orange.

Paul Schütze

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Sighting bars were placed in the slots within the chamber, but none remain now.

Paul Schütze

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The sound of insects here studs the night like a thousand fizzing stars.

Paul Schütze

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Access by observers to each engine is gained by an imperfection which differs from one to another.

Paul Schütze

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These structures are made in receipt of starlight.

Paul Schütze

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Seven of the eight rings indicate signs.

Paul Schütze

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Third Memory.

Paul Schütze

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Fourth Memory.

Paul Schütze

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I have observed and measured for seven years.

Paul Schütze

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I have observed and measured for seven years.

Paul Schütze

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Fifth Memory.

Paul Schütze

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There are four of these arcs, two in each chamber.

Paul Schütze

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These are instruments fuelled by shadow, and engines propelled by the sliding of the skies.

Paul Schütze

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The stars are ranged across the inner shell of a vast hollow sphere in which hung the earth.

Paul Schütze

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All the gardens will concur. Here is the mixed engine.

Paul Schütze

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I will build other gardens, other engines.

Paul Schütze

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And the light falls on the circular arcs.

Paul Schütze

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Beneath this circle is an arc of masonry steps for the convenience of observers.

Paul Schütze

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Threads can be pegged to the centre of each quadrant and semicircle to enable observation.

Paul Schütze

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Here is a huge vertical right-angled triangle made of stone.

Paul Schütze

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These arcs are also accessible by numerous flights of stairs.

Paul Schütze

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We are closer to the sun now.

Paul Schütze

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On the West face is described a semicircle of nineteen-feet, ten-inch radius.

Paul Schütze

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Into this chamber no ray of light can find its way except through two small squares high in the South wall.

Paul Schütze

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The movement of the engines produces a scent.

Paul Schütze

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Sixth Memory.

Paul Schütze

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Pointing towards the pole an iron pin is fixed at right angles to the centre of a dial.

Paul Schütze

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Some of the calibrations are now submerged beneath the ground and cannot be read.

Paul Schütze

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This room is a lidless drum.

Paul Schütze

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Seventh Memory.

Paul Schütze

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100

Near the bottom of the wall facing the South side of the eastern hemisphere there is a hole.

Paul Schütze

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101

There are arcs made of marble which are calibrated with inlaid lead in degrees and minutes.

Paul Schütze

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102

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I have seen charts sent from Portugal but they are flawed and full of error.

Paul Schütze

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